Miró's oft-quoted fascination in the assassination of painting is derived from the dislike of bourgeois artwork, which he believed was utilised as a method to promote propaganda and cultural identification between the rich. Particularly, Miró responded to Cubism in this way, which by the point of his quotation experienced turn https://www.triptales.me/discover-the-artistic-and-historical-marvels-of-barcelonas-museums/